PROGRAM
October 29, 2022

one of god's own prototypes
for solo soprano saxophone

by Sarah Evans

Drew Hosler - Saxophone

Nocturne in F# Major
Op. 15, No. 2

by Frédéric Chopin

Dan DiPaolo - Piano

Aria
from Goldberg Variations

by J.S. Bach

Shinichiro Inaji - Piano

Préambule from Carnaval, Op. 9

by Robert Schumann

Dan DiPaolo - Piano

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PERFORMERS

Dan DiPaolo

Musician and educator Dan DiPaolo began formal study of the piano at age 8, French horn at 9, and guitar at age 13. His obsession with music was sealed once his guitar teacher introduced him to chords, scales, and approaches to creating and organizing improvisations, unlocking his ears and imagination.

This curiosity lead him to the academic world, where his graduate work focused on tonal theory, popular music (especially Steely Dan, Brad Mehldau, and Frank Zappa), and the history of theory.

From 2010-2018, Dan taught music theory, ear training, and fundamentals at NYU's Steinhardt School. He also taught Music Humanities at Columbia University, History of Rock and Rap at Montclair State University, and Aural Skills at the Eastman School of Music.

Dan holds advanced degrees in historical musicology and music theory from King's College London and Columbia University. He is a piano teacher and freelance pianist in Los Angeles, where he lives with his wife, daughter, and cat.

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Drew Hosler

Hailed as "the ideal collaborator for new music" by Brutal New Music Review - saxophonist, and new music curator Drew Hosler (he/him/his) is an advocate for contemporary music. Drew has commissioned, premiered, and collaborated on over 200 pieces by award-winning composers such as Andrew Mead, Jamie Leigh Sampson, David Heinick, Marilyn Shrude, and Quinn Mason.

Drew is an avid performer as a soloist. He has worked with composers such as Griffin Candey, Martin Gaughan, Robert Gross, JaeEun Schermerhorn, and Josh Trentadue on writing new concerti for the tenor saxophone. Additionally, he has performed concerti by Walter Mays and William Albright.

Drew is a saxophonist of the Cleveland Winds, Cleveland Repertory Orchestra, and frequently performs with the Lima Symphony Orchestra. In addition, he has performed with the Saginaw Eddy Concert Band, Hyperius Blake and the Sound Experiment, CUSP Improvisation Orchestra, and the Decho Ensemble. Drew is the saxophonist, and artistic director for the new music ensemble, The _____ Experiment. To date, the ensemble has premiered over 30 works for mixed chamber ensemble.

Drew currently serves as the Manager of Concerts and Events at the Cleveland Institute of Music. Drew holds a MM in Saxophone Performance, MM in Chamber Music, and a Certificate in Arts Entrepreneurship & Leadership from the University of Michigan. He also holds a BM in Saxophone Performance from Bowling Green State University. His primary instructors have been Timothy McAllister and John Sampen.

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Shinichiro Inaji

Shin loves piano and has been learning on his own since he was a child, and finally started long-sought piano lessons under teacher and friend Louis Yungling since 2018. Piano and music are a big part of the joy of his life and he is very curious and appreciative to learn the connection of mind and body through piano playing. Currently he works as a freelance illustrator/animator and Licensed Massage Therapist in Portland Oregon where he lives with his husband Walter and Shiba-inu Yuki.

Shin is very happy to be a part of the COMPASS Concerts as a performer, an audience and co-producer with Mari and Louis through which he has been able to meet and interact with wonderful friends and musicians.

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Louis Yungling

Hello, my name is Louis Yungling and I'm the founder of COMPASS. I'm also a pianist and teacher.

Meditation, mindfulness and awareness exercises are an integral part of my teaching and practice. Musicians benefit greatly from these practices by being able to fine tune their focus and get more out of their practice as well as increase their responsiveness to sound and be more present and confident in performance.

I created COMPASS concerts to extend these practices to audiences and give everyone a moment to pause and go inward. We do this by sharing a brief contemplation exercise before every concert. In this way we practice being aware of one another and give ourselves a chance to feel and appreciate our unique contribution.

Preparing our minds and bodies to receive and make music allows us to be more receptive to the beauty and generosity that goes into a musical performance. And practicing this type of mindful preparation regularly can help us open our hearts more to the experiences of our day to day lives.

I am thrilled to share this journey with you and the very talented, generous artists who perform here. Thank you to all my musician friends for sharing your gifts and creating beautiful programs of music for our COMPASS community. And thank you to all who come and partake in these heart-warming community concerts.

I currently live and teach piano in Valencia, Spain. My teaching website: Yungling Piano Studio.

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